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Vinyl LP pressing. Digitally remastered edition. Bad Religion has become synonymous with intelligent and provocative West Coast punk rock and are considered one of the most influential and important bands in the genre. Over the past three decades the band has continually pushed social boundaries and questioned authority and beliefs armed only with propulsive guitars, charging drumbeats, thoughtful lyrics and an undying will to inspire and provoke anyone who will listen. Stranger Than Fiction is the eighth album from Bad Religion, and one of their most popular. First released in 1994, the album has been certified Gold and features hit singles" 21st Century Digital Boy", "Infected" and "Stranger Than Fiction." Features guest appearances from some of punk's greatest including Rancid's Tim Armstrong (vocals on "Television"), Jim Lindberg of Pennywise (vocals on "Marked") and Wayne Kramer of the MC5 (guitars on "Incomplete".)
Double vinyl LP pressing. Bitches Brew is a studio album by jazz musician, composer, and bandleader Miles Davis, originally released on March 30, 1970. It marked his continuing experimentation with electric instruments that he had previously featured on the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. In subsequent years, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians.
|Pearl Jam + Alice In Chains + Screaming Trees = Mad Season. Includes 3 songs from mythical unfinished second album with NEWLY RECORDED vocals by Mark Lanegan.
Prev unreleased instrumental "Interlude," Remixed version of John Lennon cover "I Don't Wanna Be A Soldier," 180-g, 2LP gatefold
Acclaimed 2021 Album Pressed On Red Vinyl!
Featuring Guest Appearances From Kendrick Lamar, Snoop Dogg, Kamasi Washington & More!
Drones, Terrace Martin's first album-in-name since Velvet Portraits, started germinating in 2016. Contrary to the perception that info might cause, Martin wasn't merely toiling away for half a decade on this loosely conceptual set. He steered the Sounds of Crenshaw, Vol. 1 and Dinner Party projects, participated in R+R=Now, and in 2020 alone released a live LP, a crop of fine EPs, and singles such as the unflinching Black rebel anthem 'Pig Feet.' Add to that a seemingly full slate as a producer, sideman, and touring musician aiding artists ranging from 2 Chainz to Herbie Hancock. If Drones should be heard as the follow-up to Velvet Portraits, not as part of Martin's unceasing tear, so be it. Where the earlier album combined old-school R&B and traditional gospel, soul-jazz, and a little synth funk for over 70 mostly kicked-back minutes - with Martin often emphasizing his piquant alto sax - the comparatively succinct Drones is funkier, freakier, and ultimately more hip-hop.Drones as a concept relates to the numbing and instant gratification-seeking effect of phones - how the devices can drain emotion out of everything from a conversation to sex - but isn't articulated in didactic or condescending fashion. Kendrick Lamar gets the point across with his bulletin on the bumping title song, which also incorporates Martin, Snoop Dogg, Ty Dolla $ign, and James Fauntleroy as if it's the work of a longtime vocal quartet. A section of more R&B-oriented material starts with Martin taking the lead on 'Leave Us Be,' a mellow L.A. travelogue and rebuke of oppressive authority built over a bassline that pops like that of Boz Scaggs' 'Lowdown.' Inside that sequence, Martin also extends a smooth downcast ballad like a tender revision of his own 'Lies,' gives way to a low-spirited Arin Ray, and cooks up a deceptively tricky and anachronistic groove - broken beat from 1985 - for a detached Channel Tres and dispirited Celeste to warn about surveillance. Another sequence later could occur only on a Terrace Martin album. It includes the regal instrumental 'Griots of the Crenshaw District' (the album's equivalent to Dinner Party's 'First Responders'), built on scuffed drums and righteous interlocking brass featuring Kamasi Washington. After a pair of other highlights that switch with ease from heartache to resilience, Martin uplifts the congregation with a motivational message through his vocoder, setting up Kim Burrell to provide thoughtful spiritual solace on the finale. By the end, it's clear why Martin saw this as a special statement that required a little extra time to bake." -Andy Kellman, AllMusic.com, 4.5/5 stars (The AllMusic 2021 Year In Review - Best Of 2021)
DRONES was recorded at Organic Grease Studios, Larrabee Recording Studios, Henson Recording Studios, and Chalice Recording Studios. The album was mixed at Organic Grease Studios and mastered by Mike Bozzi at Bernie Grundman Mastering.
- Vinyl LP
- Red Vinyl
- EXplicit Content
DRONES Terrace Martin
Recompiled and remastered from the original analog master tape and recording sources by Bernie Grundman at Bernie Grundman Mastering Studios, Hollywood. This limited edition audiophile edition of Incesticide was pressed by Analogue Productions on two 180gram virgin vinyl discs and cut at 45 RPM vinyl for superior audio quality to past 33 1/3 RPM reissues. The faithful recreation of the jacket designed by Kurt Cobain includes the lyric sheet art and for the first time comes housed in a deluxe gatefold sleeve. Gold foiled stamped and individually numbered.
Brian Fennell is a student of simplicity. As SYML (pronounced “simmel”), which translates to “simple” in Welsh, Fennell writes emotive ambient pop songs that capture the ethos of his musical persona. With delicate piano, swells of strings and Fennell’s sterling vocals, the songs that comprise “In My Body,” embody the relinquishing of all emotions, a cathartic release laid bare.
Brian Fennell is a student of simplicity. As SYML (pronounced "simmel"), which translates to "simple" in Welsh, Fennell writes emotive songs that capture the ethos of his musical persona. Ultimately his songs are a kind and truthful depiction of emotion grounded by his gut-wrenching vocal delivery. This is SYML’s debut album.
Some forty years into one of music’s most impactful partnerships, Tears For Fears have arrived together at The Tipping Point – the group’s ambitious, accomplished and surprising first new studio album in nearly two decades. An inspired song cycle that vividly recalls the depth and emotional force of the group’s earliest triumphs, The Tipping Point is the bold, beautiful and powerful sound of Tears For Fears finding themselves together all over again.