At first, Gia Margaret called her new album Romantic Piano�to be a bit�cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy Tsegu�-Maryam Gu�brou and the �Marginalia� releases of Masakatsu Takagi than they do with,�say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across�the gorgeous set, �Romantic� is suggested in a more classic sense, what the Germans call�waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets:�solitude in nature; nature�s ability to heal and to teach; a sense of contented melancholy.