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Eliahu Inbal Conducts Bruckner
Artist:
Bruckner / Radio-Sinfonieorchester Stuttgart
Format: CD
New: Available $55.99
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Formats and Editions
1. * Beethoven, Ludwig Van - Classical Composer
2. Egmont, Op. 84: Overture
3. * Symphony No. 3 in E-Flat Major, Op. 55, "Eroica"
4. I. Allegro Con Brio
5. II. Marcia Funebre: Adagio Assai
6. III. Scherzo: Allegro Vivace
7. IV. Finale: Allegro Molto
8. * Symphony No. 1 in C minor, Op. 68
9. I. Un Poco Sostenuto - Allegro
10. II. Andante Sostenuto
11. III. Un Poco Allegretto E Grazioso
12. IV. Adagio - Più Andante - Allegro Non Troppo, Ma Con Brio
13. * 21 Hungarian Dances, Woo 1 (Version for Orchestra) (Excerpts)
14. Hungarian Dance No. 1 in G minor (Orch. J. Brahms)
15. Hungarian Dance No. 3 in F Major (Orch. J. Brahms)
16. Hungarian Dance No. 4 in F minor (Orch. P. Juon)
17. Hungarian Dance No. 5 in F-Sharp minor (Orch. A. Parlow)
18. * Symphony No. 4 in E-Flat Major, Wab 104, "Romantic" (1886 Version, Ed. L. Nowak)
19. I. Bewegt, Nicht Zu Schnell
20. II. Andante Quasi Allegretto
21. III. Scherzo: Bewegt
22. IV. Finale: Bewegt, Doch Nicht Zu Schnell
23. * Symphonie Fantastique, Op. 14
24. I. Rêveries: Largo - Passions: Allegro Agitato E Appassionato Assai
25. II. Un Bal (Valse): Allegro Non Troppo
26. III. Scène Aux Champs: Adagio
27. IV. Marche Au Supplice: Allegretto Non Troppo
28. V. Songe D'une Nuit Du Sabbat: Larghetto - Allegro
29. La Damnation de Faust, Op. 24, Part II: Scene 7: Ballet Des Sylphes (Dance of the Spirits)
30. La Damnation de Faust, Op. 24, Part I: Hungarian March, "Rákóczy March"
31. Daphnis Et Chloé Suite No. 2
32. La Valse (Version for Orchestra)
33. * Symphony in C Major
34. I. Allegro Vivo
35. II. Adagio
36. III. Allegro Vivace
37. IV. Allegro Vivace
38. * Symphony No. 9 in E minor, Op. 95, B. 178, "From the New World"
39. I. Adagio - Allegro Molto
40. II. Largo
41. III. Scherzo: Molto Vivace
42. IV. Allegro Con Fuoco
43. Totenfeier
44. * Fontane Di Roma (Fountains of Rome), P. 106
45. I. La Fontana Di Valle Giulia All'alba
46. II. La Fontana Del Tritone Al Mattino
47. III. La Fontana Di Trevi Al Meriggio
48. IV. La Fontana Di Villa Medici Al Tramonto
49. * Pini Di Roma (Pines of Rome), P. 141
50. I. I Pini Di Villa Borghese (The Pines of the Villa Borghese)
51. II. Pini Presso Una Catacomba (Pines Near a Catacomb)
52. III. I Pini Del Gianicolo (The Pines of the Janiculum)
53. IV. I Pini Della Via Appia (The Pines of the Appian Way)
54. * the Firebird Suite (1919 Version)
55. I. Introduction - II. the Firebird and It's Dance - III. Variation of the Firebird
56. IV. Ring Dance of the Princesses
57. V. Infernal Dance of King Kashchey
58. VI. Lullaby
59. VII. Finale
60. Rosenkavalier Suite, Op. 59, TRV 227D
61. Till Eulenspiegels Lustige Streiche (Till Eulenspiegel's Merry Pranks), Op. 28, TRV 171
62. Don Juan, Op. 20, TRV 156
More Info:
Bruckner's No. 7 meant in several ways new beginnings: not only was it different from it's predecessors where tonal language and formal structure are concerned, but it was also the first symphony to have brought the composer, meanwhile 60 years old, the success he had been missing for so long. After it's premiere in Leipzig followed by subsequent performances in other German cities, No. 7 was performed in Amsterdam, Chicago, New York, Berlin, Budapest and London. And, of course, in Vienna, which for many years had been very critical towards Bruckner, the composer.Soon after finishing No. 7 Bruckner composed the Symphony No. 8, his most extensive one. However, after being told by his good friend, the conductor Hermann Levi, that he couldn't quite get familiar with it, Bruckner - again plagued by self-doubts - immediately started the revision of the score, a process that took him quite a few years. The Symphony No. 8 has thus two versions, the original one from 1887 (to be heard on this recording, under the baton of Eliahu Inbal - one of the first conductors to re-introduce it in the concert halls) and the revisioned version from 1890.Email Signup
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